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So I get an email from my editor a few weeks ago. It is bright and bubbly and gurgling with enthusiasm for my as-yet-unfinished-and-recently-temporarily-sidelined-for-another-project-but-she-doesn’t-know-that book. It’s also kind and patient—she does not press but asks how things are going and wonders aloud if I’m ready to start laying out schedules. Deadlines. Hard, sharp-edged things that make me twitch. She’s careful with them, cause she’s an editor, and has worked with many a slow writer. She knows you can’t rush a good thing. Still, there they are, those tools on the table between us. Waiting for me to take them up.
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Every August, you can hear it: A thin wail of woe and lamentation, a chorus of voices bemoaning the start of the school year. I’ve sung in that chorus many times, in person and in print, and I was planning to take up its song this year as well.
Ooooweee, I was working myself into a delicious froth! Thinking back to how mad I was every August when I had to start working on my syllabi. All these folks takin’ up my time. And that damn article/dissertation/book still not done. I thought about how the slow burn of resentment faded to a sizzle of panic as the first day of class got closer, and the meetings piled up, and the writing time got slimmer and slimmer.
I’m always grateful when someone else writes a piece that expresses exactly what I think. Sure, it’s nice to find that someone agrees with me—but the real boon is that I don’t have to spend the time to work the ideas out myself.
That’s how I felt a few weeks ago, when I posted Louise Seamster’s ChronicleVitae article on writing groups on InkWell’s Facebook page. Writing groups, Seamster insists, don’t just increase writing productivity: they’re also “automatically subversive—a parallel universe [that] offers a place to find support and mutual collaboration, and can help you take control of your own destiny and define success for yourself.”
Photo by Slideshowmom at Morguefile.com
Saturday mornings from my childhood is on the other side of the bedroom door. It wafts in on the braided scent of coffee and bacon, makes muted clanking sounds as skillets hit the burners. I can hear my parents’ footsteps on the other side of the door and the faint “shhhh” that means they’re saying my name. I’m pretty sure that if I check my phone there’ll be a text from one of them. But precisely because I know this, I’ve put the phone on mute. I’ve laid it face down on the nightstand so I can’t see the screen light up. Then for extra measure, I get up, move it to the bathroom counter, and close the door.
I used to feel, when I was a graduate student, that working on my dissertation was like being in love. It was the first thing I thought of when I woke up in the morning, and the last thing I thought about before falling asleep at night. I spent long, empty hours in between dreaming of its shape: who it really was, what it meant when it said this or that, whether or not our ideas were compatible. Whether it would leave me for someone else.
So I roll into my office Monday morning, just itching to sit down and write. I’d had plenty of sleep over the weekend, and my head was buzzing with ideas about the book I’m working on—so many, in fact, that I had a mass of Post-It notes plastered to my hand. Some of the notes weren’t even legible. But a few said “Idea!” on them, followed by at least one juicy phrase. I knew I could make something out of them, I just needed a little time to sit, to sift. To think.
But when I opened the door to my office, my book’s Writing Beast wasn’t there. (You know the Beast I mean--whatever idea it is that you’re struggling to express in your writing.) Instead there were these…interlopers lounging around our cage.
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Michelle Boyd. Writer, Scholar, Coach