 Photo Credit: KConnors Connie admitted that she’d finished everything she’d set out to do that day, but I could sense her hesitation. When I asked about it, she demurred at first. Then, after a few seconds of silence, she admitted what was bothering her. “I’m making steady progress,” she admitted, “but I feel like I could be working more efficiently. I just can’t figure out how.”
Maybe you’ve wondered this yourself. Perhaps you’re writing fairly regularly—or, if not regularly, at least enough to see the pages adding up. And that’s great, you think. That’s fine. But there’s this niggling little worry, it keeps creeping into your head. “Shouldn’t I be doing more?”
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 Photo Credit: Shannon LaCava One year my mom got a cold that everyone was getting. When I called to see how she was doing, she sounded kinda down. Not because of her cold symptoms—oh no. She felt down because she was, as she put it, “just lying around doing nothing.”
I tried to cover up my snort, then asked, “Um…you are sick, aren’t you?” It wasn’t really a question, since I could hear her congestion and coughing. “Well, yes,” she admitted. “I don’t feel that great.” But my mom is a little brown Energizer Bunny. So she rarely lets sickness stand in the way of getting things done. As she explained it, watching TV all day ‘cause she was nursing a cold “just makes me feel like such a...degenerate!”  “The semester has started,” my client and colleague Penelope said to me recently ”but I’m not on track.” This was a big switch from last semester, when she’d felt in control of her calendar for the first time in her career. She was managing schedule changes with ease, following her writing process (three days of deep dives each week), and finishing off one project after another—some of them on time. When she returned from winter break, she knew she had all the tools needed to set up her schedule to prioritize writing. “But, on the one hand, I’m looking at my calendar,” she tells me. “On the other, I’m looking at what’s due. And it just doesn’t work.”
 Photo by Michelle Boyd When I moved from Chicago to Portland three years ago, I was ruthless about throwing stuff out. We were reducing our living space by half. I was leaving my comfy university job and starting InkWell. And I was ready to leave the person I’d been behind and start all over.
All except two 11x17 cardboard boxes, filled with—honestly—I don’t know what. Every time I tried to go through them, all I could see were decisions I wasn’t ready to make. So I taped up the boxes and threw them in the moving van, justifying it by telling myself I couldn’t yet think clearly about what I wanted to keep. When we arrived in Portland, right before the holidays, I stuck them in a closet and promised myself I’d sort through them in the New Year. It’s nearly three years later, and of course, those two boxes are still tucked away in the closet. I came upon them last week during another minimizing spree, determined to create more breathing room in my storage space and my life.  The summer before my sophomore year in college, I worked two jobs so I could buy myself a Ford Fiesta. I was moving off campus during the coming fall, unappreciative of public transportation, and that tiny car was the only thing I had any hope of affording. By the end of the summer, I was pretty far away from the amount I needed to get it. So my parents took pity on me and agreed to top off the difference between what I had and the cost of “a real car.” I’d been aiming for something cute, round, compact. But after just a few days searching the used car ads at the back of the Maryland Gazette, my dad and I came home with this sleek little Celica GT I’d had no idea I wanted.
It was low to the ground. It had a spoiler and a sunroof. Its headlights flipped up when you turned them on like a long-lashed crush looking up to focus their gaze just on you. This car was way cooler than I was ever gonna be, and I loved her.  Photo by Michelle Boyd Whenever I meet an academic writer and tell them what I do for a living, they tend to have two reactions. First, their eyes glaze over as they imagine the exquisite pleasure of retreating for an entire week, with no other obligation but to write. I share this enthusiasm, and don’t mind the momentary inattention. They eventually rouse themselves and move on to their second reaction—the one I’m much more interested in.
The Upside of Losing Your Shit: An Unconventional Strategy for Getting Your Writing Back on Track9/27/2017  Photo by TrisOffical at Morguefile.com So I get an email from my editor one day. It is bright and bubbly and gurgling with enthusiasm for my as-yet-unfinished-and-recently-temporarily-sidelined-for-another-project-but-she-doesn’t-know-that book. It’s also kind and patient—she does not press but asks how things are going and wonders aloud if I’m ready to start laying out schedules. Deadlines. Sharp-edged things that make me twitch. She’s careful with them, cause she’s an editor, and has worked with many a slow writer. She knows you can’t rush a good thing. Still, there they are, those tools on the table between us. Waiting for me to take them up.
 Photo by dotabe at Morguefile.com Every August, you can hear it: A thin wail of woe and lamentation, a chorus of voices bemoaning the start of the school year. I’ve sung in that chorus many times, in person and in print, and I was planning to take up its song this year as well.
Ooooweee, I was working myself into a delicious froth! Thinking back to how mad I was every August when I had to start working on my syllabi. All these folks takin’ up my time. And that damn article/dissertation/book still not done. I thought about how the slow burn of resentment faded to a sizzle of panic as the first day of class got closer, and the meetings piled up, and the writing time got slimmer and slimmer.  Photo by Fandango Movie Clips I’m always grateful when someone else writes a piece that expresses exactly what I think. Sure, it’s nice to find that someone agrees with me—but the real boon is that I don’t have to spend the time to work the ideas out myself.
That’s how I felt a few weeks ago, when I posted Louise Seamster’s ChronicleVitae article on writing groups on InkWell’s Facebook page. Writing groups, Seamster insists, don’t just increase writing productivity: they’re also “automatically subversive—a parallel universe [that] offers a place to find support and mutual collaboration, and can help you take control of your own destiny and define success for yourself.”  Soooooo, guess what? Summer’s finally here. I’ve got all the time in the world…
And I don’t feel like writing. The reasons are varied, and maybe you can relate: After a long, wet winter, summer has finally arrived in Portland. The afternoon skies are so sharply blue, it nearly hurts my eyes to look at them. This beauty only lasts so long. So, every day at lunch, I find myself drifting onto my balcony, where a faded lounger and a novel rob me of any interest I might have in writing. I’m also running again, which means I’m using up a fair amount of discipline to heave my 47-year-old body out of bed at the crack of dawn and fling it down the road several miles. By the time I’ve stretched, showered, walked the dog and fed us both, it seems like the middle of the day, not the beginning. At that point, it’s way harder to make myself write, as I’ve nearly depleted my reservoir of self control. I could go on: Spanish conversation class, hosting dinner for a vegetarian couple (what the hell are we gonna make?!), tricking out my tiny balcony garden—all these things are much more attractive than writing. Not to mention visits from dear Chicago friends, day trips to the Oregon coast, my annual Fun+Food Fest with my brother. It all adds up to the same old thing: I’m distracted by all the fun in my life, and I just don’t wanna work. |
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